New York Stages
Since moving from New York to Minnesota in 1993, James Sewell Ballet has performed at three New York City venues:
The Kaye Playhouse at Hunter College (Mar. 15-18, 2001),
Whitman Theater at Brooklyn College (Apr. 13-14, 2003), and
The Joyce Theater (
Jan. 20-25, 2004; Apr. 4-9, 2006; Oct. 16-21, 2007).
"This Minneapolis-based troupe has been around nearly two decades,
but it's only in its past few visits that Sewell's distinctively imaginative
way with the classical idiom has become fully apparent."
- The Village Voice, 9/5-11/07
"Sewell is daring and original, with a broad grounding in classical ballet
and modern dance....[willing] to unearth genuine emotions and grapple
seriously with how ballet relates to more organic styles of movement."
- Jennifer Homans, The New Republic, 9/11/06
"At the end of a weekend full of Wheeldon and Sewell, Sewell shows me
more sculpture, more play, more movement, and cooler men."
– Anna McDonald,
annamcdonald.typepad.com/seeking_system/2007/10/a-few-things-to.html
"Humor, surprise, variety, an analytical response to music, dance
shaped
as architecture in time and space: these are qualities to be
admired in most
of the foremost choreographers, dead and alive. Since
they are also present
in the three works James Sewell is showing at the
Joyce Theater, I wish I
could enjoy his perfectly competent work more
than I do. Each piece has
brief passages where accomplishment turns
into mastery, and others that
turn into something less than
accomplishment."
– Alastair Macaulay, The New York Times
"One of the Twin Cities' cultural gems like the Tyrone Guthrie Theatre
and
the Saint Paul Chamber Orchestra.…This is a company well worth
catching.
It wears its charms with a difference."
– Clive Barnes, New York Post
"Sewell is…a relaxed humanist who seems to enjoy making the most of
the quietly vivid presence of his skillful dancers."
– Jennifer Dunning, The New York Times
"It was fascinating to find a classical choreographer venturing into
indeterminacy, which is usually associated with modern and postmodern
dancers."
– Jack Anderson, New York Theatre Wire
"Sewell demonstrated exactly how classical ballet can be a mutable
art
form receptive to invention.… This is a company definitely worth
catching, whose reputation can only continue to rise."
– Cecly Placenti, www.ballet-dance.com
"James Sewell Ballet has secured a strong following, developed
an attractive company and distinctive point of view."
– Eye on Dance, New York
“A polished gem of a chamber dance troupe from Minnesota.…
Mr. Sewell
is…one of American ballet’s most inventive
choreographers.…Different
and unpredictable, this is the company to see.”
– Anna Kisselgoff, The New York Times
“Innovative choreography blithely combines ballet and postmodernism.”
- Sylviane Gold, Newsday New York City
“An evening spent with…James Sewell Ballet is an evening of
intelligent
choreography and heartfelt dancing.…So much attractive
choreography…is
very much worth watching.”
- Pia Catton, The New York Sun
“A small company of dancers can take the world by storm. All it
takes
is a fine maker of ballets like Balanchine who was a good
dancer and
knew music. James Sewell is a superb dancer who
studied the violin.”
– Francis Mason, WQXR 96.3FM The Classical Station, New York NY
“A contemporary style aligned with the classical tradition. Legibility
of design is a major component of [Sewell’s] choreography.”
- Deborah Jowitt, The Village Voice
“Not your grandma’s ballet company… A fresh way of putting the
standard
vocabulary together into sparkling dances that pique your
emotions as
much as they delight your eye.”
- Gus Solomons, Jr., Gay City News, NY
“Not ordinary performers…each company member is an excellent
dancer…with a strong sense of line, a committed intelligence,
and an
extraordinary understanding of Sewell’s personal vision.…
Sewell…has
developed into a fiercely inventive, truly gifted artist.”
- Phyllis Goldman, Backstage
"Mr. Sewell is one of American ballet’s best choreographers,
albeit one
who composes sonnets rather than epics. This lack
of pretension can
make his work look deceptively gentle, but it
is not modest. Grounded
in a neoclassical style that is exploited
in different ways, his
choreography brims with surprises in
movement invention."
- Anna Kisselgoff, The New York Times
"James Sewell’s enormously inventive ballet repertoire is a
fusion of
classic and contemporary that captures sculpture
and geometry in dance.
A certain quirkiness and humor is
connected to strong technical skill."
- Lucy Komisar, The American Reporter
"James Sewell's choreography is anything but tired. At its best
it is
rich in surprises, filled with stunningly inventive movement
and a
brilliant strangeness. "
- Anna Kisselgoff, The New York Times, New York NY
"Sewell's work is different from everyone else's: it's energetic,
direct and full of musical zest; its movement vocabulary is ballet
as
it could be performed on the playing fields."
- Francis Mason, WQXR 96.3FM The Classical Station, New York NY
"Ideas that start in the heart and soul"
- Marian Horosko, Dancer
"A fresh, pleasing sensibility"
- Alicia Mosier, The Village Voice
"An accomplished group in both contemporary and classic dance."
- Jennie Schulman, Backstage